This page is an archival work in progress.
SEASON 2021
#UnderTheInfluence
Written by Kristin Goodman
December 2, 2021 – December 19, 2021
The Santa Fe Fiesta Melodrama
August 26, 2021 – September 19, 2021
Tongues
Written by Steve Yockey
April 16, 2021 – April 24, 2021
The Confessions of Clayton Younger
Written by: Patrick Mehaffy
January 28, 2021 – June 24, 2021
The Thanksgiving Play
Written by Larissa Fasthorse
October 28, 2021 – November 20, 2021
Othello: The Remix
Book and Music by the Q brothers (GQ & JQ)
developed with Rick Boynton
August 12, 2021 – August 15, 2021
The White Liars
Written by Peter Shaffer
April 15, 2021 – Podcast
SEASON 2020
Bad Jews – Canceled
Written by Kristin Goodman
December 2, 2021 – December 19, 2021
The Santa Fe Fiesta Melodrama
August 26, 2021 – September 19, 2021
The Night Before Christmas – Cancelled
Written by Steve Yockey
April 16, 2021 – April 24, 2021
All My Sons – Canceled
Written by Larissa Fasthorse
October 28, 2021 – November 20, 2021
#UnderTheInfluence – Cancelled
Book and Music by the Q brothers (GQ & JQ)
developed with Rick Boynton
August 12, 2021 – August 15, 2021
| 2014–2015 |
| New Mexico Actors Lab and Santa Fe Playhouse present SYLVIA by A.R. Gurney |
| Directed by Robert Benedetti |
| July 31–Aug. 17, 2014 |
| 2014 FIESTA MELODRAMA |
| Also Known As Game of Groans or Last Train to Artsville, or Zozobra for Dummies or Hot Massage on the Sexually, or Oriented Express or No Country Music for Old Men |
| Directed by Andrew Primm |
| Aug. 22–Sept. 7 |
| THE EFFECTS OF GAMMA RAYS ON MAN-IN-THE-MOON MARIGOLDS by Paul Zindel |
| Directed by Quinn Mander |
| Sept. 25–Oct. 19, 2014 |
| QUILTERS by Molly Newman and Barbara Demashek |
| Directed by Catherine Donovan |
| Oct. 30–Nov. 16, 2014 |
| PLAYWRIGHTS FORUM (Four Original Staged Readings) |
| Nov. 20–23, 2014 |
| WINTER HOLIDAY CELEBRATION |
| Dec. 11–28, 2014 |
| THE MADWOMAN OF CHAILOTT by Jean Giraudoux |
| Directed by Barbara Hatch |
| Jan. 8–Feb. 1, 2015 |
| For Giving Productions and Santa Fe Playhouse presentKIMBERLY AKIMBO by David Lindsay-Abaire |
| Directed by Janet Davidson |
| Feb. 12–March 1, 2015 |
| PLAYWRIGHTS FORUM (Original Full-Length Work) |
| Directed by Cristina Duarte |
| March 12–22, 2015 |
| MACBETH by William Shakespeare |
| Directed by Patrick Briggs |
| April 2–19, 2014 |
| New Mexico School for the Arts YOUNG ADULTS PERFORMANCE |
| April 30–May 2, 2014 |
| JULIE BRETTE ADAMS |
| Dance Performance, May 7–10, 2015 |
| Theater Grottesco |
| ENSEMBLE PRODUCTION directed by John Flax |
| May 21–June 7, 2015 |
| BENCHWARMERS 14 (8 Original Short Plays) |
| June 11–28, 2015 |
| Ironweed Productions and Santa Fe Playhouse present DEATH OF A SALESMAN by Arthur Miller |
| July 16–Aug. 2 |
| Leslie Dillen and Santa Fe Playhouse present THE PASSIONS OF MABEL DODGE LUJAN by Leslie Dillen |
| August 6–Aug. 16 |
| 2015 Fiesta Melodrama INTRIGUE AT THE PALACE directed by Andrew Primm |
| Aug. 27–Sept. 13 |
| THE FOREIGNER by Larry Shue |
| Directed by Robert Nott |
| April 2–19, 2014 |
| PLAYWRIGHTS’ WORKSHOP (Four Original Dramatic Readings) |
| Directed by Barbara Hatch |
| Nov. 5–15, 2014 |
| IT’S A WONDERFUL LIFE – A Live Radio Play by Joe Landry |
| Directed by Vaughn Irving |
| Dec. 3–24, 2014 |
| 2013–2014 |
| 2013 FIESTA MELODRAMA |
| A Veritable Verisimilitude of Vegas Voluptuousness or A Fracking Good Time or Challenging Chicken Choices in the Chintzy Chaparral |
| Directed by Andrew Primm; Assisted by Eliot Gray Fisher |
| Aug. 28–Sep. 8, 2013 |
| I HATE HAMLET by Paul Rudnik |
| Directed by Robert Nott |
| Oct. 10–27, 2013 |
| A Playhouse Children’s Theatre Production THE BOY WHO WOULD BE KING |
| Adapted and Directed by Rebecca Morgan |
| Original music by MELANGE: Jeff Tarnoff and JoJo Sena-Tarnoff |
| Nov. 19–24, 2013 |
| Charles Dickens’ A CHRISTMAS CAROL Adapted by Doris Baizley |
| Directed by Dan Gerrity |
| Dec. 5–24, 2013 |
| BENCHWARMERS 13 |
| Feb. 6–March 2, 2014 |
| THE LYONS by Nicky Silver |
| Directed by Janet Davidson |
| March 27–April 13, 2014 |
| A Playhouse Children’s Theatre Production SNOW WHITE AND ROSE RED |
| Adapted and Directed by Rebecca Morgan |
| Original music by Melange, Jeff Tarnoff and JoJo Sena-Tarnoff |
| April 29–May 4, 2014 |
| FRANKIE AND JOHNNY IN THE CLAIR DE LUNE |
| by Terrence McNally |
| Directed by Vanessa Rios y Valles May 29–June 8, 2014 |
| Ironweed Productions with Santa Fe Playhouse present GOOD PEOPLE by David Lindsay-Abaire |
| Directed by Wendy Chapin |
| July 10–July 27, 2014 |
| 2012–2013 |
| 2012 FIESTA MELODRAMA |
| What the List Missed or The Absolutely, Undeniably, Certifiably True Story of How New Mexico Became A State! (Would We Make this Stuff Up?) |
| written by An Anonymous Committee |
| Directed by Catherine Donovan; Assisted by Jonah Winn-Lenetsky |
| Featuring Charles Tichenor on the piano |
| Aug. 24–Sept. 9, 2012 |
| MOON OVER BUFFALO by Ken Ludwig |
| Directed by Barbara Hatch |
| Oct. 11–28, 2012 |
Playhouse Children’s Theatre presents |
| FANCY CREW AND THE BOARDING HOUSE MYSTERY |
| Adapted and Directed by Rebecca Morgan |
| Nov. 16–18, 2012 |
| THE WEIR by Conor McPherson |
| Directed by Matt Sanford |
| Dec. 6–23, 2012 |
| Presented by Ironweed Productions and The Santa Fe Playhouse BENCHWARMERS 12 |
| Feb. 7–March 3, 2013 |
| BURIED CHILD by Sam Shepard |
| Directed by Mona Malec |
| March 28–April 14, 2013 |
| Playhouse Children’s Theatre presents |
| CINDERELLA |
| Adapted and Directed by Rebecca Morgan |
| May 10–12, 2013 |
| CHAPTER TWO by Neil Simon |
| Directed by Kent Kirkpatrick in association with Thirsty Bush Productions |
| June 13–30, 2013 |
| 2011–2012 |
| 2011 FIESTA MELODRAMA |
| Written by An Anonymous Committee |
| Directed by Eliot Fisher |
| Aug. 31–Sept. 11, 2011 |
| Oliver Productions and Santa Fe Playhouse present COLLECTED STORES by David Margulies |
| Directed by Bradford Fairbanks |
| Sept. 29–Oct. 16, 2011 |
| Playhouse Children’s Theatre presents THE BUTLER DIDN’T DO IT! |
| Adapted by Rebecca Morgan; Original Music by Melange |
| Nov. 11 |
| MOONLIGHT & MAGNOLIAS by Ron Hutchison |
| Directed by Janet Davidson |
| Dec. 1–18, 2011 |
| BENCHWARMERS 11 |
| The Short Play Festival |
| Feb. 2–26, 2012 |
| Ironweed Productions and the Santa Fe Playhouse present OUR TOWN by Thornton Wilder |
| Directed by Scott Hamilton |
| March 29–April 15, 2012 |
| JULIE BRETTE ADAMS |
| Dancer/Choreographer |
| May 12 |
| Playhouse Children’s Theatre presents |
| RAPUNZEL |
| Adapted and Directed by Rebecca Morgan, Original Music by Melange |
| April and May 2013 |
| OTHER PEOPLE’S MONEY by Jerry Sterner |
| Directed by Ron Bloomberg and Barry Hazen |
| June 14–July 1, 2012 |
| 2010–2011 |
| 2010 FIESTA “Reefer”* MELLOW DRAMA |
| *for medicinal purposes only! |
| A Man & His Mannikin: The Absolutely Accurate Account of the Creation of Zozobra or A Gargantuan Gloom Machine, Groovy Ganja Greens, Greedy Grasping Fiends and Grappling Fiesta Queens Generate Gaily Garrulous Scenes or How a Pernicious Pilferer, His Profane Protege and His Pulchritudinous Paramour Propagate a Plot to Purloin the Prescriptive Pot Profits of a Perky Pair of Planters, Plunder the Pennies of a Pitiful Pack of Performing Pupils, and Persuade the Populace to Pay for the Promise of Peace and Prosperity by Plugging Pesos into a Pixilated Professor’s Pyrotechnic Puppet |
| Written by an Anonymous (and Wisely So!) Committee |
| Directed by Matt Sanford and Eliot Gray Fisher |
| Aug. 26–Sept. 12, 2010 |
| EMPTY BED BLUES by Stephen Lowe |
| Directed by Dan Gerrity |
| Oct. 14–Nov. 7, 2010 |
| Southwest Children’s Theatre presents THE EMPEROR’S NEW CLOTHES |
| Adapted by Rebecca Morgan |
| Original Music by Melange |
| Nov. 19–21, 2010 |
| 6 DANCE LESSONS in 6 WEEKS by Richard Alfieri |
| Directed by Larry Lee |
| Dec. 16–Jan. 2, 2011 |
| BENCHWARMERS 10 |
| By Various New Mexico Playwrights |
| Feb. 4–26, 2011 |
| TWO WIVES IN INDIA by Leslie Harrell Dillen |
| Directed by Ed Hastings |
| March 17–April 3, 2011 |
| CALLBACK by Bill Svanoe |
| Directed by Blake Bradford |
| April 7–24, 2011 |
| JULIE BRETTE ADAMS |
| Dancer/Choreographer |
| May 19–22, 2011 |
| Southwest Children’s Theatre presents THE POETIC DRAGON Adapted by Argos MacCallum |
| Original Music by Melange |
| May 11 |
| COLE: An Entertainment Based on the Words & Music of Cole Porter |
| Directed by Carol and Jim McGiffin |
| Musical Director: Jeff Tarnoff |
| July 7-24, 2011 |
| 2009–2010 |
| HAY FEVER by Noel Coward |
| Directed by Carol & Jim McGiffin |
| Aug. 27–Sept. 13, 2009 |
| Southwest Children’s Theatre presents |
| SCHEHERAZADE: 1001 Arabian Nights |
| Nov. 14 and 21, 2009 |
| THE LION IN WINTER by James Goldman |
| Directed by Suzanne Lederer |
| Oct. 15–Nov. 1, 2009 |
| TUNA CHRISTMAS by Jason Williams, Joe Sears, Ed Howard |
| Dec. 10, 2009–Jan 3, 2010 |
| BENCHWARMERS IX |
| Feb. 4-26, 2010 |
| TWO WOMEN DANCING with Kate Eberle & Julie Adams |
| A Contemporary Dance Performance |
| March 5, 6, 7, 12, 13, 14, 2010 |
| DEAD MAN’S CELL PHONE by Sarah Ruhl |
| Directed by Catherine Donovan |
| April 1–18, 2010 |
| Southwest Children’s Theatre presents |
| A FANCY DROO MYSTERY: |
| An Original Mystery by Rebecca Morgan |
| Original Music by Melange |
| April 24 and May 1, 2010 |
| THE NEW CENTURY by Paul Rudnick |
| Directed by Clara Soister |
| June 10–27, 2010 |
| 2008–2009 |
| 2008 FIESTA MELODRAMA |
| The Corny Calamities or An Irreparable and Eerie Parable of the Prairie Ear or Crime on the Cob! |
| Directed by Eliot Gray Fisher |
| Aug. 21–Sept. 7, 2008 |
| TWO WOMEN DANCING with Julie Brette Adams and Kate Eberle |
| Sept. 12–14 & 18-20, 2008 |
| LE THEATRE DE GRAND GUIGNOL (The French Theatre of Horror) |
| Directed by Liam Lockhart |
| Oct. 16–Nov. 2, 2008 |
| Southwest Children’s Theatre presents |
| VASALISA THE BEAUTIFUL AND THE BONY-LEGGED HAG |
| Nov. 15 and 22, 2008 |
| ARSENIC AND OLD LACE by Joseph Kesselring |
| Directed by Pal Dybel |
| Dec. 11, 2008–Jan. 4, 2009 |
| BENCHWARMERS VIII |
| Jan. 22–Feb. 15, 2009 |
| ARMS AND THE MAN by George Bernard Shaw |
| Directed by Catherine Donovan |
| March 12–29, 2009 |
| Southwest Children’s Theatre presents |
| THE MINSTREL AND THE STUCK-UP PRINCESS |
| April 18 and 25, 2009 |
| GREATER TUNA by Jaston Williams, Joe Sears & Ed Howard |
| Directed by Darron Dunbar |
| May 14–31, 2009 |
| PRIDE PRODUCTION |
| In Association with Human Rights Alliance |
| June 18–July 5, 2009 |
| 2007–2008 |
| 2007 FIESTA MELODRAMA |
| Revenge of the Masked Mariachi or A Foul Flimflam |
| Filches Fiestas to Turn Town into Tourist Trap |
| Directed by Eliot Gray Fisher |
| Aug. 23–Sept. 9, 2007 |
| A FABULOUS NIGHT AT THE THEATRE: Chris Calloway Sings! |
| + 3 One-Act Comedies by Ron Bloomberg |
| Sept. 15, 16 and Sept. 28-Oct. 7, 2007 |
| The Arden Players and Santa Fe Playhouse present |
| THE MERCHANT OF VENICE by William Shakespeare |
| Directed by Deborah Dennison |
| Oct. 11–28, 2007 |
| Southwest Children’s Theatre presents |
| JILL & JACK & THE BEANSTALK |
| Nov. 10 and 17, 2007 |
| THE MOUSETRAP by Agatha Christie |
| Directed by Catherine Donovan |
| Dec. 13–30, 2007 |
| BENCHWARMERS VII (An Evening of Eight New One-Act Plays) |
| Jan. 31–Feb. 17, 2008 |
| ENCHANTED APRIL by Matthew Barber |
| Directed by James Hatch |
| March 13–30, 2008 |
| Southwest Children’s Theatre presents |
| THE PRINCESS & THE PIG BOY |
| April 19 and 26, 2008 |
| THE SUBJECT WAS ROSES by Frank D. Gilroy |
| Directed by Maura Dhu Studi |
| May 15–June 1, 2008 |
| GAY PRIDE PRODUCTION |
| In association with Human Rights Alliance |
| Directed by Dan Gerrity |
| June 19–July 6, 2008 |
| 2006–2007 |
| 2006 FIESTA MELODRAMA |
| Screens of Silver, Cities of Gold |
| Directed by Eliot Fisher |
| Aug. 24–Sept. 10, 2006 |
| RUMORS by Neil Simon |
| Directed by Frederica Johnson |
| Oct. 12–29, 2006 |
| Southwest Children’s Theatre presents |
| SNOW WHITE AND THE 7 CONSERVATIONISTS |
| Nov. 11 and 18, 2006 |
| TWO WOMEN DANCING |
| Choreography/performance by Julie Brette Adams and Kate Eberle |
| Nov. 24–Dec. 3, 2006 |
| The Arden Players in association with |
| the Santa Fe Playhouse present |
| MUCH ADO ABOUT NOTHING by William Shakespeare |
| Dec. 7–17, 2006 |
| BENCHWARMERS VI |
| Feb. 1–18, 2007 |
| GLENGARRY GLEN ROSS by David Mamet |
| Directed by Liam Lockhart |
| March 15–April 1, 2007 |
| Southwest Children’s Theatre presents |
| HANSEL & GRETEL |
| April 21 and 28, 2007 |
| Teatro Paraguas and Santa Fe Playhouse present |
| SEPTEMBER SHOES by Jose Cruz Gonzalez |
| Directed by Argos MacCallum |
| May 17–June 3, 2007 |
| KISS OF THE SPIDER WOMAN by Manuel Puig |
| Directed by Rachel Peck |
| June 21–July 1, 2007 |
| SHOWTIME SANTA FE |
| The 10th Season of Sue Lovitz’s popular Cabaret Revue |
| July 10–15, 2007 |
| 2005–2006 |
| 2005 FIESTA MELODRAMA |
| Directed by Rachel Peck |
| Aug. 25–Sept. 11, 2005 |
| THE GLASS MENAGERIE by Tennessee Williams |
| Directed by Janis Bonser |
| Oct. 13–30, 2005 |
| GOOD NIGHT, DESDEMONA (GOOD MORNING, JULIET) |
| by Ann Marie MacDonald |
| Directed by Leslie Bentley |
| Dec. 15–31, 2005 |
| BENCHWARMERS V: BACK TO THE BENCH |
| by New Mexico Playwrights |
| Feb. 2–12, 2006 |
| BETRAYAL by Harold Pinter |
| Directed by Liam Lockhart |
| Mar. 16–April 2, 2006 |
| LEND ME A TENOR by Ken Ludwig |
| Directed by Barry Hazen |
| May 4–14, 2006 |
| KISS OF THE SPIDERWOMAN by Manuel Puig |
| Directed by Richard Block |
| June 14–25, 2006 |
| RAPPACCINI’S DAUGHTER (LA HIJA DE RAPPACCINI) |
| by Octavio Paz |
| Directed by Valli Marie Rivera |
| July 20–30, 2006 |
| 2004–2005 |
| BENCHWARMERS IV |
| Dec. 8–19, 2004 |
| MY OLD LADY by Israel Horowitz |
| Directed by Edward Hastings |
| Feb. 3–20, 2005 |
| SELF-MADE MEN by C.J. Bacino |
| Directed by C.J. Bacino |
| June 15–25, 2005 |
| THE PLAYHOUSE LATINO FESTIVAL |
| BALLAD OF SUCIO’S FROG by E.H. Fritz |
| from the Lancepoint Chronicles |
| Adapted and directed by M. Vaught |
| İCURANDERAS! SERPENTS OF THE CLOUDS by Elaine Romero |
| Directed by Valli Marie Rivera |
| July 20–31, 2005 |
| 2003–2004 |
| AMY’S VIEW by David Hare |
| Directed by Suzanne Lederer |
| Oct. 2–26, 2003 |
| THE 1940s RADIO HOUR by Walton Jones |
| Directed by Clara Soister |
| Dec. 18–30, 2003 |
| BENCHWARMERS III (BENCH-LESS!) by New Mexico Playwrights |
| Jan. 15–Feb. 1, 2004 |
| LONG DAY’S JOURNEY INTO NIGHT by Eugene O’Neill |
| Directed by Richard Block |
| March 4–28, 2004 |
| 2004 FIESTA MELODRAMA by Anonymous Committee |
| Aug. 26–Sept. 12, 2004 |
| 2002–2003 |
| THE ROAD TO MECCA by Athol Fugard |
| Oct. 3–27, 2002 |
| A CHRISTMAS CAROL by Charles Dickens |
| Dec. 12–29, 2002 |
| BARRYMORE by William Luce |
| Jan. 29–Feb. 16, 2003 |
| BENCHWARMERS II |
| Feb. 20–March 2, 2003 |
| THREE POETS by Romulus Linney |
| March 20–April 6, 2003 |
| 2003: THE 81st ANNUAL FIESTA MELODRAMA |
| Aug. 21–Sept. 7, 2003 |
| 2001–2002 |
| THE FOURTH WALL by A.R. Gurney |
| Oct. 4–28, 2001 |
| Charles Dickens’ A CHRISTMAS CAROL |
| adaptation by Cather MacCallum |
| Dec. 13–30, 2001 |
| THE ROAD TO MECCA by Athol Fugard |
| Jan. 24 – Feb. 17, 2002 |
| THE HISTORY OF TOM JONES: A Foundling by Henry Fielding |
| (Adaptation by Clara Soister) |
| March 14–April 7, 2002 |
| 2002: THE 80TH ANNUAL FIESTA MELODRAMA |
| Aug. 22–Sept. 9, 2002 |
| 2000–2001 |
| ALL UNDER HEAVEN by Dyke Garrison and Valerie Harper |
| Oct. 5–29, 2000 |
| Charles Dickens’ A CHRISTMAS CAROL |
| adaptation by Cather MacCallum |
| Dec. 14–30, 2000 |
| EYES FOR CONSUELA by Sam Shepard |
| (based on The Blue Bouquet by Octavio Paz) |
| Jan. 25–Feb. 11, 2001 |
| SIGHT UNSEEN by Donald Margulies |
| March 15–April 1, 2001 |
| 2001: The 79th ANNUAL FIESTA MELODRAMA |
| August–September, 2001 |
| 1999–2000 |
| THE FALL by Albert Camus, adaptation by Jerry Delaney |
| Sept. 23–Oct 10, 1999 |
| THREE TALL WOMEN by Edward Albee |
| Nov. 4–21, 1999 |
| WINTER HOLIDAY FESTIVAL |
| Dec 10 – 23, 1999 |
| WITNESS FOR THE PROSECUTION by Agatha Christie |
| Jan 27–Feb 13, 2000 |
| BLOOD WEDDING by Federico Garcia Lorca |
| March 16–April 2000 |
| A PERFECT GANESH by Terrence McNally |
| June 22–July 9, 2000 |
| 2000: The 78th ANNUAL FIESTA MELODRAMA |
| Aug. 24–Sept. 10, 2000 |
| 1998–1999 |
| THE SPEED OF DARKNESS by Steve Tesich |
| Oct. 1–18, 1998 |
| VITA AND VIRGINIA by Eileen Atkins |
| Nov. 5–22, 1998 |
| SECOND ANNUAL WINTER HOLIDAY FESTIVAL |
| Dec. 10–23, 1998 |
| A DOLL’S HOUSE by Henrik Ibsen |
| Jan. 28–Feb. 14, 1999 |
| The Torchbearers present |
| ONE-ACTS |
| March 4–14, 1999 |
| Theatre Grottesco presents |
| FORTUNE: THE RISE AND FALL OF A SMALL |
| FORTUNE COOKIE FACTORY |
| May 20–June 6, 1999 |
| PRIDE PRODUCTION |
| (Celebrating Pride Week with the Third Annual Pride production) |
| July 1–18, 1999 |
| THE 1999 FIESTA MELODRAMA |
| Aug. 19–Sept. 5, 1999 |
| 1997–1998 |
| THE SECRET AFFAIRS OF MILDRED WILD by Paul Zindel |
| Oct. 9–26, 1997 |
| THE KINDNESS OF STRANGERS: TENNESSEE’S WOMEN |
| A One-Woman Show by Nita Michaels |
| Nov. 13–15 and 20-22, 1997 |
| WINTER HOLIDAY FESTIVAL: Reader’s Theatre, Song & Dance |
| Dec. 11–24, 1997 |
| STARTING HERE, STARTING NOW |
| A Romantic Musical Revue by Maltby & Shire |
| Jan. 29–Feb. 15, 1998 |
| AND THEN THERE WERE NONE by Agatha Christie |
| March 19–April 5, 1998 |
| THE RAMONA ROSES (A One Woman Show by Janet Borrus) |
| April 16–18 & 23 – 25, 1998 |
| SACRED AND OBSCENE (World Premiere by Roman Chalbaud) |
| June 4–June 21, 1998 |
| GAY PRIDE PRODUCTION |
| BENT by Martin Sherman |
| Directed by Janice Bonser |
| July 8–19, 1998 |
| 1998 FIESTA MELODRAMA |
| Aug. 20–Sept 6, 1998 |
| 1996–1997 |
| EURYDICE, Legend of Lovers by Jean Anouilh |
| Directed by Daniel Pilburn |
| COYOTE BLUES by Oscar Lewis Rodriguez (One-Act) |
| Directed by Frederick Lopez |
| JULIA’S SISTERS AND BARBARA by Gerard Martinez (One-Act) |
| Directed by Gerard Martinez |
| DEATH KNOCKS by Woody Allen (One-Act) |
| Directed by Meg Huston |
| THE OPEN MEETING by A.R. Gurney (One-Act) |
| Directed by Meg Huston |
| FUENTE OVERJUNA by Lope de Lope |
| Directed by Argos MacCallum |
| ON THE VERGE OR THE GEOGRAPHY YEARNING |
| by Eric Overmeyer |
| Directed by Nancy Bullock |
| 1997 FIESTA MELODRAMA |
| Dillinger L. Dorado’s Dastardly Deliberations to Denigrate the Denizens of The Village In-Different and Deprove Them of Their Domain and Domestic Domiciles or Casinos, Coins, Cash, Chicanery, Cheaters, Chumps, Confusion and Calamity or Something Else, But We Haven’t Thought of it Yet – What’s Your Suggestion? by The Unusual Usual Suspects |
| Directed by Carol & Jim McGiffin |
| Aug. 21–Sept. 7, 1997 |
| 1995–1996 |
| CAMINO REAL by Tennessee Williams |
| Directed by Argos MacCallum and T. Kent Crider |
| DELORES (One-Act) by Edward Baker |
| Directed by Oscar Lewis Rodriquez |
| THE AUTHOR’S VOICE (One-Act) by Richard Greenburg |
| Directed by Oscar Lewis Rodriquez |
| THE BELLE OF AMHERTS by William Luce |
| Directed by Carol Kessler |
| ROULETTE by Martha Lategan |
| Directed by Joe Mellis |
| LADIES IN RETIREMENT by Edward Percy and Reginald Denham |
| Directed by Robert Sinn |
| EL POZITO by Joey Chavez |
| Directed by Oscar Lewis Rodriquez |
| 1996 FIESTA MELODRAMA |
| Balthazar Bulldozo’s Baneful Blueprint to Obliterate a Baked but Beloved Burg by Abusing the Basin of its Beauteous Buttes |
| Directed by T. Kent Crider |
| 1994–1995 |
| THE KENTUCKY CYCLE by Robert Shenkkam |
| Directed by T. Kent Crider |
| SEASCAPE by Edward Albee |
| Directed by Catherine Taylor |
| THE THREE CUCKHOLDS by Leon Katz |
| Directed by Robert Nott |
| WIN/LOSE/DRAW (3 One-Acts) by Ava Watson and Mary Gallagher |
| Directed by Lucinda Marker |
| NUNSENSE II by Dan Goggin |
| Directed by Jinx Junkin |
| 1995 FIESTA MELODRAMA |
| F.X. FourHusher’s Fiendisly Fraudently Fleecing of Our Fair Frontier’s Fine Folks |
| Directed by Emily E.J. Regier |
| 1993–1994 |
| THE DAY THEY SHOT JOHN LENNON by John McClure |
| Directed by T. Kent Crider |
| TERRA NOVA by Ted Tally |
| Directed by Joe Feldman |
| TABLE MANNERS by Alan Ayckbourn |
| Directed by Paula Scarpellino |
| MRS. WARREN’S PROFESSION by G.B. Shaw |
| Directed by Charles Skowroneck |
| PATIO/PORCH (2 One-Acts) by Jack Heitner |
| Directed by Connie Blankenship |
| 1994 FIESTA MELODRAMA |
| Directed by Stuart L. Graw |
| 1992–1993 |
| THE PASSION OF DRACULA by Hall & Richmond |
| Directed by Robert Graybill |
| SCROOGE AND MARLEY (SFCT and St. Michael’s High School) |
| By Charles Dickens, adapted by Israel Horowitx |
| Directed by Emily E.J. Regier |
| ALL MY SONS by Arthur Miller |
| Directed by Argos MacCallum |
| THE ELEPHANT MAN by Bernard Pomerance |
| Directed by Jeff Isaacs |
| EL GRANDE DE COCA-COLA by Ron House |
| Directed by Tish and Mike Miller |
| ONE ACTS |
| SISTER MARY IGNATIUS EXPLAINTS IT ALL FOR YOU by Christopher Durang |
| THE BEAR by Anton Chekov |
| Directed by Gloria Weisberg |
| THE PROPOSAL by Anton Chekov |
| Directed by Nicole Henri |
| 1993 FIESTA MELODRAMA |
| Directed by Emily E.J. Regier |
| 1991–1992 |
| FALLEN ANGELS by Noel Coward |
| Directed by Paula Scarpellino |
| THE NORMAL HEART by Larry Kramer |
| Directed by Jonathan Ellis and Georgina Young |
| THE GOOD WOMAN OF SETZUAN by Bertoldt Brecht |
| Directed by Jeff Issacs |
| STUFFED SHORTS (collection of original pieces) by Various Authors |
| Directed by Various Directors |
| ONE ACTS |
| THE ONLY SHOW IN TOWN by Charlie Skowroneck |
| Directed by Mary Outten |
| RIGGING THE HALF-LIT STAGE by John Menken |
| THE SPECIAL CASE by Richard Balthazar |
| Directed by Mordena Babich |
| GOOD TIME CHOLLY by Harry Reider |
| Directed by Harry Hamburg |
| 1992 FIESTA MELODRAMA |
| Don Crystalball Colon’s Quite Cute Quadricentennial Quest for Quite Contemptible Cash |
| Directed by Rick Wiegers |
| 1990–1991 |
| SPEAKING OF MURDER by Audrey & William Roos |
| Directed by Jonathan Richards and Claudia Jessup |
| HARVEY by Mary Chase |
| Directed by Stuart L. Graw |
| FIFTH OF JULY by Lanford Wilson |
| Directed by Rex Thompson |
| FOLDING GREEN by Arnold Moss |
| Directed by Harry Hamburg |
| BERLIN TO BROADWAY by Kurt Weill |
| Directed by Deborah Magid |
| SAVAGE LOVE by Sam Shepard (one-act) |
| Directed by Jeff Isaacs |
| ARIA DA CAPO by Edna St. Vincent Millay (one–act) |
| Directed by Nicholas Ballas |
| 1991 FIESTA MELODRAMA |
| Sensational Saga of a Scottish Swine’s Sordid Scheme |
| Directed by Charles Skowroneck |
| 1989–1990 |
| FIESTA MELODRAMA |
| Why the Wily Worm Wanted to Whip Off the Wildest and Wickedest Waster in the West |
| Directed by Rick Weigers |
| SOMETHING’S AFOOT by Vos and Gerlach McDonald |
| Directed by Steve Bayless |
| THE LION IN WINTER by James Goldman |
| Directed by Jack Reed |
| HEARTBREAK HOUSE by George Bernard Shaw |
| Directed by Argos MacCallum and Siouxie Jeter |
| THE EFFECT OF GAMMA RAYS ON MAN-IN-THE-MOON MARIGOLDS by Paul Zindel |
| Directed by Emily E.J. Regier |
| WHAT THE BUTLER SAW by Joe Orton |
| Directed by Jeff Isaacs |
| THE MOST HAPPY FELLA by Frank Loesser (musical) |
| Directed by Harry Hamburg |
| ONE ACTS |
| THE PUSHCART PEDDLERS by Murray Schisgal |
| Directed by Paula Scarpellino |
| ‘DENTITY CRISIS by Christopher Durang |
| Directed by Harry Hamburg |
| DUCK VARIATIONS by David Mamet |
| Directed by Jonathan Ellis and Georgina Young |
| THE REAL INSPECTOR HOUND by Tom Stoppard |
| Directed by Mordena Babich |
| 1988–1989 |
| FIESTA MELODRAMA |
| Cacophonous and Cantankerous Conflicts That Caused Catastrophe in the Capitol |
| Directed by Laird Graeser |
| A COMPANY OF WAYWARD SAINTS by Geroge Hermann |
| Directed by Emily E.J. Regier |
| THE MAN WHO CAME TO DINNER by George S. Kaufman & Moss Hart |
| Directed by Emily E.J. Regier |
| PASSION by Peter Nichols |
| Directed by Claudia Jessup and Jonathan Richards |
| UNCLE VANYA by Anton Chekhov |
| Directed by Jean Moss |
| THE FOREIGNER by Larry Shue |
| Directed by Jack Reed |
| ONE ACTS |
| KILLER TALK by Jonathan Fields |
| Directed by Adam Walsh |
| CHAMBER MUSIC by Arthur Kopit |
| Directed by Emily E.J. Regier |
| VILLAGE WOOING by George Bernard Shaw |
| Directed by Argos MacCallum and Stephanie Burrows |
| SUNNY MORNING by Serafin and Joaquin Alvarez Quintero |
| Translated by Lucretia Xavier Floyd |
| Directed by Argos MacCallum |
| 1987– 1988 |
| FIESTA MELODRAMA |
| The Tale of the Terrible Termite That Tried to Terminate the Town |
| Directed by Daniel J. Bell |
| BURIED CHILD by Sam Shepard |
| Directed by T. Kent Crider |
| JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS |
| by Jacques Brel (musical) |
| Directed by Jean Moss and Jerome Nelson |
| GHOSTS by Henrik Ibsen |
| Directed by Ursula Drabik |
| YOU KNOW I CAN’T HEAR YOU WHEN THE WATER’S RUNNING |
| by Robert Anderson |
| Directed by Rebecca Morgan |
| GUYS AND DOLLS lyrics by Frank Loesser and book |
| by Jo Swerling and Abe Burrows (musical) |
| Directed by Jim and Carol McGiffin |
| ONE ACTS |
| PVT. WARS by James McClure |
| Directed by T. Kent Crider |
| RED CORVETTE by Charlie Skowronek |
| Directed by Mary Outen |
| THE CAVE OF SALAMANCA by Cervantes |
| Directed by Nadine Stafford |
| GRACELAND by Ellen Byron |
| Directed by Rick Wiegers |
| 1987– 1988 |
| FIESTA MELODRAMA |
| Directed by Unknown |
| ENTER LAUGHING by Joseph Stein and Carl Reiner |
| Directed by Marty Stone |
| H.M.S. PINAFORE by Gilbert & Sullivan (musical) |
| Directed by Manos Clements |
| THE LADY’S NOT FOR BURNING by Christopher Fry |
| Directed by Mordena Babich |
| COME BACK TO THE FIVE AND DIME, JIMMY DEAN, JIMMY DEAN by Ed Graczyk |
| Directed by Lois Wenker and Beth Siegel |
| SALTY SAVIOR and LEMON TWIST TRAGEDY by Richard Klein |
| Directed by Emily E.J. Regier |
| ONE ACTS |
| AM I BLUE by Beth Henley |
| Directed by Paula Scarpellino |
| THE INCA OF PERUSALEM by G.B. Shaw |
| Directed by Nadine Stafford |
| ZOO STORY by Edward Albee |
| Directed by Rick Wiegers |
| HERE WE ARE HERE by William Collins |
| Directed by Nicholas Ballas |